Lines in Time

Welcome to My Writing World!

Posted by: mcdonahue on: December 4, 2008

Hello, friends and fellow writers! Having my own blog is a new adventure for me. At last I have a place where I can write about writing — and hope some of you will add comments, ask questions, and even contribute by sharing marketing news. I want these columns to be sometimes helpful, often humorous, and always inspiring in the sense that they make YOU want to pick up your pen and get going!

To all of my Schmooze friends: check in with me regularly to let me know what you need in the way of discussions and programs. Share what you are writing about. Ask questions. If I don’t have an immediate answer, I’ll do my best to find one asap.

To members of my writing groups: this blog offers a quick and easy way to spread the good news among other writers. You are already experts in the field. Perhaps you would like to write a guest column!

To Inland Area Writing Project Fellows: drop by and say, “Hello!” Share with us the ways you are using writing in the classroom. Let us hear how your own writing projects are developing.

Since this is my first blog, I want to share an article I wrote recently on . . .

The Importance of Beginnings

The next time you pick up a book and read the first few pages, ask yourself these questions:

– Does the first sentence catch your attention?

– Are the other sentences varied in word length and rhythm?

– Do you feel yourself stepping into the setting and entering the story?

– Do you care what happens next?

If you can answer “Yes” to all four questions, chances are you’re reading a beginning that captures your interest and will lead you into the story. It’s all very well to analyze story openings and to recognize good ones, but it’s a bit more difficult to write one yourself. Here are some rules that I try to follow:

1. Begin at the beginning and not before. Sounds simplistic, doesn’t it? But it’s a fact that inexperienced writers give too much “entry material.” They feel that they have to tell the reader every detail about a scene BEFORE the story starts. For example, if Jessica is going to have an adventure at an archeological dig in Guatemala, the beginning writer will show her packing her bag, buying airline tickets, chatting with her seat companion, adding cream to her coffee, and stepping off the plane in the middle of the season’s worst rainstorm. An experienced writer might keep the rainstorm, but will certainly eliminate the rest, letting Jessica arrive at the dig and begin her adventure.

2. Answer the questions Who? What? When? and Where? (How and why can be faced later.) These four “Ws” can show a character with a problem, arouse the reader’s curiosity, suggest further complications, hint at suspense, and establish place and time. They can help your character get into action as soon as possible, and they leave room for you to slip in other pertinent bits of information.

2. Set the mood. This is where you use those similes and metaphors you have been collecting in your journal — you do keep a journal, don’t you? For example: The swollen clouds cast shifting shadows over the heather clad stones of the moorland. OR  Cassandra and Elenore stayed close together as they took their first steps into the cold, slimy water. OR The autumn sunlight filtered through the bare branches, painting patterns, like calligraphy, on the barren ground. If your story opening doesn’t create a mood, rewrite it until it does.

4. Use action and dialogue, but only when they move the story forward. Don’t let your characters move or speak without a reason. Body language and voice can strengthen your story opening — but only when they are realistic and logical.

Here’s an important thing to remember: the beginning stops as soon as the protagonist’s problem is clear. When he/she begins to cope — or not cope — your story’s middle has begun.

 

Here’s to happy and creative writing! Let me know how you are doing with your current project. If you can’t seem to get started on a project, let me know about that, too.

Marilyn

 

New Blog

Posted by: mcdonahue on: September 15, 2009

Please visit me at my new site: marilyndonahue.blogspot.com This is where I’ll be posting articles about writing and the writing life. I look forward to reading your comments!

Marilyn

New Blog

Posted by: mcdonahue on: September 15, 2009

Please visit me at my new site for articles about writing and the writing life:

marilyndonahue.blogspot.com

I look forward to reading your comments!

New Blogs

Posted by: mcdonahue on: August 10, 2009

Greetings, Friends.

You can read articles about my writing world at my new site at www.marilyndonahue@blogspot.com

I welcome comments and value your input.

Marilyn

Useful sites

Posted by: mcdonahue on: June 15, 2009

A list in progress of helpful, unusual, or just plain interesting sites

Posted by: mcdonahue on: April 21, 2009

When I was fresh out of college and began to write stories and submit them, I ignored that classic wisdom that has been handed out for ages: Write about what you know!

I couldn’t possibly do that. I didn’t know anything. I hadn’t climbed Everest or swum the English Channel, or lived with gorillas, or developed a vaccine. I had a good background in America Literature. That was what I knew.

It wasn’t until I had four children of my own that I found myself using the very words I had heard my mother, my grandmother, my great-grandmother say to me when I was a child: “Young lady, you’d better remember who you are!”

Who you are is intricately connected to what you know and from whence you came. This is where your voice lies hidden — in the memories and feelings that are already innately part of you.

I grew up in an extended family that included grandparents, great-grandparents, aunts and uncles, and cousins by the dozens. Gatherings were frequent, and they were exciting times for a child — especially a child who constantly pleaded, “Tell me another story!”

While other younsters heard The Little Engine That Could at bedtime, I listened, wide-eyed, to tales of the pioneers. Some were relatively tame: stories of wildflower hunts, family picnics, camel rides down “D” Street, swimming in the Santa Ana, which, my grandfather assured me, ran deep and strong and was full of fish all year long.

But, depending on who was doing the story telling, I often got another view of early life in the valley: bull and bearfights, scalpings, shootups and shootouts, and the funerals that followed. To this day, I cannot stand under a pine tree and peel away some sticky sap to chew without feeling my spine tingle as I look up cautiously to make sure an Indian isn’t lurking in the branches above.

I sat on lots of laps. I listened, and I absorbed, as fascinated by the language, the rhythms of speech, the dialects, the expressions, as by the stories themselves. The men with the long white beards I so admired and the women whose hands could behead a chicken and pluck it clean one minute and create intricate and beautiful stitchery the next were masters of the oral tradition. They were inspired story tellers.

I liked the way these people of another generation sounded. I even tried to talk like them, to imitate the sounds of their voices, their twists of a phrase. They taught me that the land shapes people, but people can also shape the land. I learned that history is made minute by minute, even (or perhaps especially) by pioneers of any age whose names are not destined to be remembered.

It was a great disappointment to me to go to school and discover that history there was not exciting. It was: memorize the facts, fill in the blanks, and get your grade. We were not encouraged to think much about people and why they acted the way they did. And I knew it should be different because a much more exciting kind of history had been conveyed to me throughout my childhood consistently and energetically.

This, then, was what I knew — the heritage that had been passed to me through voices from the past. And I began to write, for I had found my historical voice.

To be continued . . .

Posted by: mcdonahue on: December 18, 2008

The Memory Tree

December 16, 2008 · 6 Comments

My family has a Christmas tree tradition. Early in December, my grown children put their heads together and choose a Sunday afternoon when they will bring their children to my house to decorate the tree. I make a big salad and put a kettle of soup on the stove to heat. We order pizza, drink hot spiced tea, and make tons of popcorn. When our stomachs are full, we tackle the tree.

Because I live in a fire hazard area, I have an artificial tree. It doesn’t smell like pine, but it’s big enough to accomodate the ornaments I have collected all my life. “Where did this one come from?” Brandon asks, holding up a green satin horse with silver bangles.

“From a town called Guilin, in a country called China,” I tell him. I think back to the streets of the town and remember the sack of cookies I bought in a roadside store and the young girl who wanted to practice her English. I hand Steven a bamboo panda painted black and white. “This fellow is from Shanghai.” Daniel picks up a fat brown gingerbread man with tiny black eyes and red buttons down his front. “London, England,” I tell him .

Michael, now forty seven, finds his kindergarten picture encased in clear plastic. He looks at it a moment, then hangs it high on the tree. I hand out the ornaments my mother made: golden satin balls studded with faux pearls and sparkles. “Be extra careful,” I hear John say. “These are fragile.”

Deep down in the ornament box, I uncover the sixteen-point starbursts that date from World War II. I was eleven years old when we sat around the kitchen table and folded the colored paper into stars, dipped them in starch, and sprinkled them with glitter. We couldn’t buy ornaments from the stores in those years, so we made our own. 

Tom picks up a straw cornucopia. “I remember when we bought this in Mexico,” he says. I remember, too. We found it in Baja California at a little shop near the sea. It cost five cents in 1970. I hand Margaret a miniature wooden doll from Norway, and she hangs it next to a white lace angel from a plantation in Mississippi.

I pass out colorful glass birds with clamps attached to their feet and watch my young grandsons attach them carefully to the branches. “How about this bird!” Wes exclaims. He holds up a garish, multicolored pheasant sitting in a pink silk nest hung with tassels of red and yellow. I laugh, remembering the day I bought it in a street market in Singapore. I stand back to look at the tree and think of Venice, Cairo, Lisbon, Bangkok. Madrid, Athens, and Ulan Bator. For each ornament there is a memory.

Then, in their places of honor high on the tree, I put a fragile golden pine cone and an ancient Santa dressed in faded red. Everyone in quiet, for my family knows that these are special. They date to the 1930s when I was a small child. “Do you remember those days?” Chris wants to know. I nod. I remember them very well. They were the days when the tree filled the house with the smell of pine; when we beat Lux Flakes with an egg beater until they thickened into fake snow that we spread on the limbs with spatulas; when we licked the candy pans, savoring the sweetness of divinity and fudge; when we left milk and cookies near the fireplace for Santa, knowing that they would be gone in the morning.

At last Allison helps me put the English crackers on the tree, stuffing the long packages almost out of sight, for we won’t want them until after the gifts are opened, when we’ll pull them apart with loud SNAPS and compare the prizes hidden inside: tiny animals and figures, sometimes riddles in folded paper, occasionally a piece of candy.

We all stand back and look at the tree. The lights twinkle like colored stars. The branches are loaded with memories. “Good job, everybody,” Michael says. I look around at my family. Yes, I think, we did a good job. Then I reach up and add one more ornament — a tiny nutcracker — for each year we always add one new thing to remember in the future. We stand together for a few more seconds, some of us holding hands, others with arms entwined.

I think if I ever write a book about a family Christmas, I will have to start with a Memory Tree.

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